The full moon’s glow on a fresh winter’s snow; is there anything more beautiful than that? That amazingly vibrant color of blue is found nowhere else in the natural world, and I love it. My favorite part of All That Heaven Allows is that scene in front of the huge window in Rock Hudson’s Mill/House, where everything is basked in that winter’s night snow blue. It’s not a color you see very often in Hollywood, probably because most filmmakers haven’t ever seen that light, or at least can’t remember it after being stuck so long in the hot California sun. If I ever move somewhere warmer, this is what I’ll miss most.